Streetdance 3D interviews taken from the production notes with an emphasis on the street dance aspect.
Read our Streetdance 3D review here.
Nichola Burley (left) plays Carly, leader of the street dance troupe that must work with the ballet dancers to be in with a chance of winning the UK Street Dance Championships.
“Carly’s a very sweet girl, but she’s very driven by her dancing ambitions,” says Burley. “She’s not had the luckiest of upbringings but, nevertheless, she has always carried on doing it and it’s always driven her. She’s challenged a lot throughout the film and the exciting and inspiring thing about it is how she overcomes those challenges. Personally, I would be terrified at the thought of having to teach ballet students how to street dance. But she is actually stronger than even she realises. She just needs the encouragement to let that out. And, once she does, she ends up becoming the best that she can be. It’s all about her finding that inner strength, and finding out who she is.”
Carly’s best friend, and a source of much support throughout the film, is Shawna, played by Teneisha Bonner. “Shawna’s a loud mouth,” laughs Bonner. “Her day job is a hairdresser and she’s a straight talking, sassy, sexy kind of a girl. She says it the way it is.” One of the most fun parts about the character is Shawna’s outrageous look.
“She’s very colourful and loves big earrings and crazy wigs,” grins Bonner. “She’s got a wig for every day of the week so I actually wear about eight to ten wigs in the film. It’s a lot of fun playing someone like her.”
Bringing comic relief to the street dance crew are Mack and Boogie, the jokers of the pack.
“It’s really nice to work with a whole bunch of people that totally get you,” says Lex Milczarek, who plays Boogie. “Everyone’s so dedicated and hard working but, at the same time, everyone loves to have a laugh so we have a great time together. There are no egos on set. You do worry that, if you do films, you’re going to get stuck-up types; thespians or whatever. But everyone’s so chilled out and we get on really well. Which is great because we play a crew so we’re supposed to be like family.”
Bradley Charles, who plays Frankie, originally joined the project as assistant to Kenrick Sandy, the film’s street dance choreographer. “Kenrick and I were running the auditions when they saw me dance and asked me to audition for a role in the film,” Charles explains. “So I did a screen reading and a dance audition, then they offered me the role. It all happened by chance.
Frankie is one of the film’s more serious roles. He’s unhappy about Jay leaving the crew, and is extremely unsupportive of Carly’s attempts to take over as leader. “He feels that he would have been a better choice to lead the crew,” reveals Charles. “He gets in a huff about it, has a go at Carly and then leaves the crew. But he’s ambitious so he eventually comes back because he wants to win the competition.”
Frankie’s girlfriend is Steph, the role created for internationally renowned b-girl Steph Nguyen, who appeareed in Blaze: The Streetdance Sensation earlier this year.
“The character is basically me,” explains Steph. “Although the costumes are a little more sexy than I would normally wear! I wanted to be a part of this film because dance is my passion, it’s my life.”
Rounding off the street dance crew are Aimee (Sacha Chang) and Justine (Danielle 'Rhimes' Lecointe, also of the London Waacktitioners):
“Justine sings in the church choir and her mum thinks that she’s an angel,” explains Rhimes. “Little does she know that her Justine can be really bossy, with a big personality. The rest of the crew call her Big Justine.”
As for Aimee? “She’s basically a bit of a bitch,” laughs Chang. “She spends a lot of time bitching with Justine.”
Britain’s Got Talent winner George Sampson had the role of Eddie created especially for him.
“Eddie’s a lot like me,” he admits. “He’s quite cheeky and he really wants to be in Carly’s crew. He’s got a bit of a crush on her too. But, no matter how hard he tries to get involved, she says no.”
Eddie gets his chance to show what he can do on the dancefloor, despite Carly’s best efforts to prevent him.
“He doesn’t so much get his chance as make his chance,” says Sampson. “Not being biased, but he is the best character!”
Sampson had already worked with the directors, so he felt at home on set.
“Max and Dania directed my music video, Headz Up, last year,” he explains. “So they asked me to do a screen test to see if I could act and, luckily, they thought I could. This is my first film and I’d love to do more. I’m so excited to be involved with this because it’s the first British dance movie.”
George Sampson - Headz Up video
Sampson cites his inspiration as not only the usual suspects of Usher and Justin Timberlake, but also his childhood dance teacher. “His name was Swanny and he was my biggest inspiration,” says Sampson. “He has passed away now, but it was him that made me want to do it. He was in one of the first break-dancing crews that danced in Manchester’s Hacienda in the 1980s. It’s because of him that my style is quite old
school.”
Rhimes is extremely excited about the emerging popularity of street dance in the UK and thinks that Sampson’s springboard, Britain’s Got Talent, is partly responsible.
“Britain’s Got Talent is watched and voted for by not just the kind of people that you would expect to be into street dance, but by normal British people sitting at home on a Saturday night.” she says. “Dance has a wider appeal now because it has evolved, it’s got younger. And it’s entertaining for people. For me, it’s a passion. I teach a lot of young people and I’m always telling them, if you’re going to do this, it has to be from your heart.
And, as the passion grows, people inspire each other. A lot of films about young people in Britain are all about the ghetto and knives and guns. But we’ve come into this industry trying to inspire young people to be ambitious about something.”
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Showing posts with label boy blue. Show all posts
Showing posts with label boy blue. Show all posts
Tuesday, 25 May 2010
Streetdance 3D cast interviews
View related blogs in:
Akai,
boy blue,
George Sampson,
Kenrick Sandy,
Street Dance 3D,
zoo nation
Sunday, 23 May 2010
Choreographing Streetdance 3D
A selection from the Streetdance 3D production notes with an emphasis on the street dance aspect.
Read our Streetdance 3D review here.
“I had met Kate Prince soon after her show Into The Hoods,” explains Richardson, producer of Streetdance 3D. “I loved the show and wanted her and Kenrick Sandy involved from the start. The idea was for Kenrick to cover the key street dance scenes, while the ballet would be overseen by Will Tuckett, an internationally renowned ballet dancer and choreographer who Kate Prince brought in, best known for his work with The Royal Ballet and films such as the acclaimed Channel 4 series Ballet Hoo. Then Kate would be responsible for the other scenes: all the dance storytelling and the finale when the two dance forms are fused.”
Kate Prince, who is the founder of ZooNation UK dance company and recently choreographed So You Think You Can Dance for the BBC, knew that working on her first film would throw up some new and exciting challenges.
“Working with non-dancers was by far the greatest challenge,” she says. “And the 3D element was very new for me. I had to think about the camera shots and what moves would come out of the camera more.”
Kenrick Sandy established Boy Blue Entertainment in 2001, along with his friend Mikey Asante, when they realised there was a hunger for dance in East London.
“It was never an ambition to create a company,” he explains. “It was more to facilitate our love for dance, and other people’s love for dance.”
Since then, Sandy has seen how street dance has transformed the lives of the young people he has worked with.
“Dance enables people to be stronger characters,” he says. “Whether people dance as a career or as a hobby, they take away a sense of discipline and enhanced self-esteem from dancing, and they’re able to apply that to other areas of their lives. We show people how to express themselves and allow themselves to let go.”
Sandy was excited about the project from the moment James Richardson approached him with the idea. “This is the very first UK street dance film,” he grins. “America has had lots of them so, for me, it felt important to be involved in it. I’m happy that it’s happened, even more so because the market for dance has grown ridiculously. It’s coming out in the right year, at the right time, when dancers are getting more exposure. Plus, it’s an opportunity to show how different styles of dance are actually very similar to each other. When you think of street dance, you think of working class kids on the street and youth centres. With ballet, you think of the upper classes. And what this film shows is that, ultimately, dance is dance. We’re all the same. It’s about breaking down those boundaries.”
Nichola Burley as a street dancer
Sandy admits that, at first, he was wary about working with Nichola Burley, who had previously had no street dance training.
“I thought Nichola was a very big gamble,” he says. “As the main character, she had to be top class in dance. So I told her to come down to all my sessions and classes before we started rehearsals for the film. She was always there, at the back, training with the Boy Blue dancers. She even did a performance with us at Hackney Empire because I wanted her to understand what it’s like to be in front of an audience. She felt the pressure because she’s the main girl so she was worried about letting everyone down. There were quite a few times she felt like giving up and there were tears. But I was not playing. I told her: ‘Stop crying. You’re the star. Even at your lowest, your troupe cannot see you like this.’ I had to speak to her numerous times on set. But, by the end, people will be surprised to know that she wasn’t a dancer before this. I’m really proud of her.”
Ballet vs Boy Blue?
Will Tuckett has worked with some of the best ballet dancers in the world, but he was still blown away when he saw the street dancers do their thing.
“I’ve been in dance for a long time, as a career, and it’s rare that you sit there and a grin comes across your face because you can’t quite believe what somebody’s actually doing in front of you,” he says, in awe. “They were just extraordinary and, not only that, but they were completely lovely.”
Was he tempted to try out a few of the street dance moves? “I did try,” he laughs, “but I looked like a tit. I’m past 40 now, and that’s the age I should have stopped trying to do that kind of dancing.”
In an echo of the film’s plot, the two experts in very different styles of dance forged an unlikely bond. “Kenrick is a total dude,” laughs Tuckett. “He’s annoyingly good-looking, really cool and basically all the things that I wish I could be but never will. I wear tweed and generally look like a bit of a git. Then he comes in, all laidback and softly spoken. And, when he starts dancing, he’s a complete knockout. Also, he’s incredibly positive and never loses his cool.”
But it won’t be the last that the two choreographers see of each other.
“Kenrick and I have been talking about working together again, which was totally unexpected,” says Tuckett. “It would be lovely to do something else with him. And if I hadn’t have done this film, with its whole hybrid dance element, then we would never have crossed paths. It was a fantastic experience.”
Richard Winsor - Ballet boy to breaker
“There’s a scene where I do a bit of breaking, which I have never done before in my life,” he laughs.
“It’s actually given me a passion for it. The music is so gripping. When you have that beat on really loud, you can’t not move. Obviously I’m not the best street dancer, but I can see why people become really passionate about it. Working on this film has completely transformed my view of street dance. I mean, I’ve always loved watching that kind of dance, and acts like Diversity or Flawless, but actually being part of it and learning about the history and origins of it. It’s been a real pleasure.”
For all the ballet dancers’ hard work, Jennifer Leung, who plays Bex, admits that she was impressed by the dedication of the street dancers.
“Street dance is very technical,” she remarks. “It’s actually more similar to ballet than you might think, because both styles are about strength and discipline. The street dancers were constantly working out and practising in between takes. Then there’s me, Sianad and Rachel sitting around drinking cups of tea and eating biscuits!”
Read our Streetdance 3D review here.
“I had met Kate Prince soon after her show Into The Hoods,” explains Richardson, producer of Streetdance 3D. “I loved the show and wanted her and Kenrick Sandy involved from the start. The idea was for Kenrick to cover the key street dance scenes, while the ballet would be overseen by Will Tuckett, an internationally renowned ballet dancer and choreographer who Kate Prince brought in, best known for his work with The Royal Ballet and films such as the acclaimed Channel 4 series Ballet Hoo. Then Kate would be responsible for the other scenes: all the dance storytelling and the finale when the two dance forms are fused.”
Kate Prince, who is the founder of ZooNation UK dance company and recently choreographed So You Think You Can Dance for the BBC, knew that working on her first film would throw up some new and exciting challenges.
“Working with non-dancers was by far the greatest challenge,” she says. “And the 3D element was very new for me. I had to think about the camera shots and what moves would come out of the camera more.”
Kenrick Sandy established Boy Blue Entertainment in 2001, along with his friend Mikey Asante, when they realised there was a hunger for dance in East London.
“It was never an ambition to create a company,” he explains. “It was more to facilitate our love for dance, and other people’s love for dance.”
Since then, Sandy has seen how street dance has transformed the lives of the young people he has worked with.
“Dance enables people to be stronger characters,” he says. “Whether people dance as a career or as a hobby, they take away a sense of discipline and enhanced self-esteem from dancing, and they’re able to apply that to other areas of their lives. We show people how to express themselves and allow themselves to let go.”
Sandy was excited about the project from the moment James Richardson approached him with the idea. “This is the very first UK street dance film,” he grins. “America has had lots of them so, for me, it felt important to be involved in it. I’m happy that it’s happened, even more so because the market for dance has grown ridiculously. It’s coming out in the right year, at the right time, when dancers are getting more exposure. Plus, it’s an opportunity to show how different styles of dance are actually very similar to each other. When you think of street dance, you think of working class kids on the street and youth centres. With ballet, you think of the upper classes. And what this film shows is that, ultimately, dance is dance. We’re all the same. It’s about breaking down those boundaries.”
Nichola Burley as a street dancer
Sandy admits that, at first, he was wary about working with Nichola Burley, who had previously had no street dance training.
“I thought Nichola was a very big gamble,” he says. “As the main character, she had to be top class in dance. So I told her to come down to all my sessions and classes before we started rehearsals for the film. She was always there, at the back, training with the Boy Blue dancers. She even did a performance with us at Hackney Empire because I wanted her to understand what it’s like to be in front of an audience. She felt the pressure because she’s the main girl so she was worried about letting everyone down. There were quite a few times she felt like giving up and there were tears. But I was not playing. I told her: ‘Stop crying. You’re the star. Even at your lowest, your troupe cannot see you like this.’ I had to speak to her numerous times on set. But, by the end, people will be surprised to know that she wasn’t a dancer before this. I’m really proud of her.”
Ballet vs Boy Blue?
Will Tuckett has worked with some of the best ballet dancers in the world, but he was still blown away when he saw the street dancers do their thing.
“I’ve been in dance for a long time, as a career, and it’s rare that you sit there and a grin comes across your face because you can’t quite believe what somebody’s actually doing in front of you,” he says, in awe. “They were just extraordinary and, not only that, but they were completely lovely.”
Was he tempted to try out a few of the street dance moves? “I did try,” he laughs, “but I looked like a tit. I’m past 40 now, and that’s the age I should have stopped trying to do that kind of dancing.”
In an echo of the film’s plot, the two experts in very different styles of dance forged an unlikely bond. “Kenrick is a total dude,” laughs Tuckett. “He’s annoyingly good-looking, really cool and basically all the things that I wish I could be but never will. I wear tweed and generally look like a bit of a git. Then he comes in, all laidback and softly spoken. And, when he starts dancing, he’s a complete knockout. Also, he’s incredibly positive and never loses his cool.”
But it won’t be the last that the two choreographers see of each other.
“Kenrick and I have been talking about working together again, which was totally unexpected,” says Tuckett. “It would be lovely to do something else with him. And if I hadn’t have done this film, with its whole hybrid dance element, then we would never have crossed paths. It was a fantastic experience.”
Richard Winsor - Ballet boy to breaker
“There’s a scene where I do a bit of breaking, which I have never done before in my life,” he laughs.
“It’s actually given me a passion for it. The music is so gripping. When you have that beat on really loud, you can’t not move. Obviously I’m not the best street dancer, but I can see why people become really passionate about it. Working on this film has completely transformed my view of street dance. I mean, I’ve always loved watching that kind of dance, and acts like Diversity or Flawless, but actually being part of it and learning about the history and origins of it. It’s been a real pleasure.”
For all the ballet dancers’ hard work, Jennifer Leung, who plays Bex, admits that she was impressed by the dedication of the street dancers.
“Street dance is very technical,” she remarks. “It’s actually more similar to ballet than you might think, because both styles are about strength and discipline. The street dancers were constantly working out and practising in between takes. Then there’s me, Sianad and Rachel sitting around drinking cups of tea and eating biscuits!”
View related blogs in:
boy blue,
Diversity,
Flawless,
George Sampson,
Kenrick Sandy,
Street Dance 3D,
zoo nation
Monday, 19 April 2010
Stylefest 2010 Battle Results
These are the round-by-round results for Stylefest, broken down into point wins.
Note:
Stylefest 2010 battle results:
Popping:
Quarter finals
Ssik Tingz v Shivengo 2-1
Lean v Chris X X 1
Faye Rai v Boogie 1-2
Jit Su v Breaks/Grego 3-0
Semi finals:
Ssik Tingz v Chris 2-X
Boogie v Jit Su 2-X
Finals
Ssik Tingz v Boogie
House:
Quarter finals:
Turbo v Kashmir 3-0
Penguin v Lisa 3-0
Aaron v Alper X-2
Jaffy v Jordan 3-0
Semi finals:
Turbo v Penguin 2-1
Alper v Jaffy 3-0
Finals:
Turbo v Jaffy
New style:
Quarter finals:
Rhimes and Manica v Luciano and Talent 3-0
Jilly and Static v Kashmir and Penguing TB 3-0
Chris and NG v Lisa and Fidosh 3-0
Turbo and Bruno v Mustafa and Luke 3-0
Semi finals:
Rhimes and Manica v Kashmir and Penguin 3-0
Chris and NG v Turbo and Bruno 0-3
Finals:
Rhimes and Manica v Turbo and Bruno
Krump:
Quarter finals:
Louis v Tobias 3-0
Theo v Jitterbug X-2
Turbo v Nemesis 2-X
Righteous v Richard 2-X
Semi finals:
Louis v Jitterbug 3-0
Nemesis v Righteous TB 0-1 (Nemesis defaulted as Turbo withdrew - he was already in the finals for house and new style)
Finals:
Lewis v Righteous
Stylefest was part of East London Dance's Dance Currents 2010 season at Stratford Circus.
A review of the event will follow soon!
www.toomuchflavour.co.uk
Note:
- 1-2 corresponds to the competitor named on the left scoring one vote from the three judges, and the name on the right scoring two votes. 0-3 would mean the person named on the right won, etc.
- 2-X means two votes to one competitor, one split decision.
- TB means tiebreak decision
- Champions highlighted in bold.
http://toomuchflavour.blogspot.com/2010/04/stylefest-2010-battle-results.html
Stylefest 2010 battle results:
Popping:
Quarter finals
Ssik Tingz v Shivengo 2-1
Lean v Chris X X 1
Faye Rai v Boogie 1-2
Jit Su v Breaks/Grego 3-0
Semi finals:
Ssik Tingz v Chris 2-X
Boogie v Jit Su 2-X
Finals
Ssik Tingz v Boogie
House:
Quarter finals:
Turbo v Kashmir 3-0
Penguin v Lisa 3-0
Aaron v Alper X-2
Jaffy v Jordan 3-0
Semi finals:
Turbo v Penguin 2-1
Alper v Jaffy 3-0
Finals:
Turbo v Jaffy
New style:
Quarter finals:
Rhimes and Manica v Luciano and Talent 3-0
Jilly and Static v Kashmir and Penguing TB 3-0
Chris and NG v Lisa and Fidosh 3-0
Turbo and Bruno v Mustafa and Luke 3-0
Semi finals:
Rhimes and Manica v Kashmir and Penguin 3-0
Chris and NG v Turbo and Bruno 0-3
Finals:
Rhimes and Manica v Turbo and Bruno
Krump:
Quarter finals:
Louis v Tobias 3-0
Theo v Jitterbug X-2
Turbo v Nemesis 2-X
Righteous v Richard 2-X
Semi finals:
Louis v Jitterbug 3-0
Nemesis v Righteous TB 0-1 (Nemesis defaulted as Turbo withdrew - he was already in the finals for house and new style)
Finals:
Lewis v Righteous
Stylefest was part of East London Dance's Dance Currents 2010 season at Stratford Circus.
A review of the event will follow soon!
www.toomuchflavour.co.uk
View related blogs in:
boy blue,
funk physics,
Kenrick Sandy,
krump,
popping
Tuesday, 26 January 2010
Dance2HelpHaiti Fundraiser demonstrates hip hop's sense of community
I said it before in my report and I'll say it again - Dance2HelpHaiti was an event that should be remembered for being turned around the in the shortest time - and it showed the community that hip hop holds.
Off their own backs (with the support of Sadler's Wells), Zoonation and Impact Dance set up a fundraising day for the victims of Haiti earthquake, and hundreds of people turned up.
So many turned up, in fact, that the total amount raised stands at £2,458 (if you include those who donated online).
What's more, the choreographers involved, namely Kate Prince, Simeon Qsyea and Kenrick Sandy, took time out of choreographing for next week's So You Think You Can Dance (SYTYCD) to be there at such short notice.
Choreographers, when commissioned for big jobs such as SYTYCD, won't usually have a lot of time on their hands, considering the time they need to travel, teach and rehearse. Yet after a few phone calls appointments had been moved around and all were able to make the time to do the fundraiser.
It made me think back to the Mr Wiggles Pioneers lectures where Wiggles and Billy Bizzness talked about this sense of 'community' in hip hop - well last Sunday was just that! Which is why I decided to ask: did Dance2HelpHaiti show the unity of hip hop dance today?
"The fact that we had hundreds of people pass through today shows what it's all about," said Hakeem to us afterwards. "It shows you can fall back on the community. There is a community, they (you) can tap into it, it shows that people do care about other people."
Check out Kate Prince and Hakeem talking about the unity of hip hop (from 2min, 54sec):
Further credit must be given to the dancer from Unity (and that's not a pun on the topic of this blog) who even reached out to our writer, Archie, who was watching as I took a class, and asked her how she was. It's stuff like that that brightens a person's day and shows how accepting people in hip hop are.
After leaving were were discussing this and she said to me "Even stuff like today brings people together and shows community - asking a complete stranger how they are."
I said "That's not just being polite. That's hip hop."
If your hip hop or street dance teacher isn't teaching you about the hip hop community or its history, find a new class.
You can comment below!
Off their own backs (with the support of Sadler's Wells), Zoonation and Impact Dance set up a fundraising day for the victims of Haiti earthquake, and hundreds of people turned up.
So many turned up, in fact, that the total amount raised stands at £2,458 (if you include those who donated online).
What's more, the choreographers involved, namely Kate Prince, Simeon Qsyea and Kenrick Sandy, took time out of choreographing for next week's So You Think You Can Dance (SYTYCD) to be there at such short notice.
Choreographers, when commissioned for big jobs such as SYTYCD, won't usually have a lot of time on their hands, considering the time they need to travel, teach and rehearse. Yet after a few phone calls appointments had been moved around and all were able to make the time to do the fundraiser.
It made me think back to the Mr Wiggles Pioneers lectures where Wiggles and Billy Bizzness talked about this sense of 'community' in hip hop - well last Sunday was just that! Which is why I decided to ask: did Dance2HelpHaiti show the unity of hip hop dance today?
"The fact that we had hundreds of people pass through today shows what it's all about," said Hakeem to us afterwards. "It shows you can fall back on the community. There is a community, they (you) can tap into it, it shows that people do care about other people."
Check out Kate Prince and Hakeem talking about the unity of hip hop (from 2min, 54sec):
Further credit must be given to the dancer from Unity (and that's not a pun on the topic of this blog) who even reached out to our writer, Archie, who was watching as I took a class, and asked her how she was. It's stuff like that that brightens a person's day and shows how accepting people in hip hop are.
After leaving were were discussing this and she said to me "Even stuff like today brings people together and shows community - asking a complete stranger how they are."
I said "That's not just being polite. That's hip hop."
If your hip hop or street dance teacher isn't teaching you about the hip hop community or its history, find a new class.
You can comment below!
View related blogs in:
birdgang,
boy blue,
funk physics,
impact dance,
Kenrick Sandy,
opinion,
plague,
sadler's wells,
unity,
zoo nation
Tuesday, 22 December 2009
B.Supreme Club Night at the Southbank Centre Spirit Room
Even though the B.Supreme Festival was in April (check out our report) you'd be foolish thinking that the dancers are just jamming about waiting for next year's show.
For the first time B.Supreme was hosting a club night at the Southbank Centre, or in the Spirit Room, to be more precise. Probably not the best place to throw a club night with its bare walls causing acoustic problems to the ears, or the children's beanbags and foam chairs laying about. It should probably be labelled a jam night...
Although I wasn't able to stay for the party, I was able to stick around to catch the showcases and battles.
Since the winner of B.Young B.Supreme 2009 was chosen in October, this year's winners, Retaliation Girls, and last year's winner, Stylinquents, have been working on some new and interesting pieces which made a debut that night.
Upon winning B.Young, B.Supreme, the winning group is given a mentor to help them develop. Retaliation Girls were mentored by Boy Blue Entertainment's Kenrick H2O Sandy who devised a piece dedicated to... Whoopie Goldberg!
Yes, it was weird, mixed in with voice samples from the movie Ghost, but it was different, although I'm not sure how much I like it yet.
Stylinquents' new piece was about drug dealing, which took on a more theatrical angle than their other sets, so it involved as much acting as it did dancing. It was dramatic, loud, and rough, with the storyline of drug dealing gone awry, but it suffered from not having enough space to express its meaning in, so hopefully it will be put on stage some time soon.
It was a shame that both the sound was so bad and the performance space was so small, because both performances look really stunted as the dancers tried not to step on people's toes who were sat on the floor watching.
Next was the new style battle to take the coveted title of being the first B.Supreme club night winner. After several rounds of battles in quick succession, it was Koala versus Rebecca "Famous" in the finals, with the judges voting in favour of Koala as the first champion.
While it wasn't an amazing night (£6 a ticket, or £4 when you say the password: Facebook!), it was the first club night B.Supreme have hosted and will hopefully improve as word about them gets around.
The next B.Supreme club night will be announced in the future, so keep checking the B.Supreme website www.bsupreme.co.uk where you can also follow their Twitter updates.
For the first time B.Supreme was hosting a club night at the Southbank Centre, or in the Spirit Room, to be more precise. Probably not the best place to throw a club night with its bare walls causing acoustic problems to the ears, or the children's beanbags and foam chairs laying about. It should probably be labelled a jam night...
Although I wasn't able to stay for the party, I was able to stick around to catch the showcases and battles.
Since the winner of B.Young B.Supreme 2009 was chosen in October, this year's winners, Retaliation Girls, and last year's winner, Stylinquents, have been working on some new and interesting pieces which made a debut that night.
Both Retaliation Girls and Stylinquents will be performing at Kymberlee Jay Presents: Serious About Street Dance in January - click the link for information.
Upon winning B.Young, B.Supreme, the winning group is given a mentor to help them develop. Retaliation Girls were mentored by Boy Blue Entertainment's Kenrick H2O Sandy who devised a piece dedicated to... Whoopie Goldberg!
Yes, it was weird, mixed in with voice samples from the movie Ghost, but it was different, although I'm not sure how much I like it yet.
Stylinquents' new piece was about drug dealing, which took on a more theatrical angle than their other sets, so it involved as much acting as it did dancing. It was dramatic, loud, and rough, with the storyline of drug dealing gone awry, but it suffered from not having enough space to express its meaning in, so hopefully it will be put on stage some time soon.
It was a shame that both the sound was so bad and the performance space was so small, because both performances look really stunted as the dancers tried not to step on people's toes who were sat on the floor watching.
Next was the new style battle to take the coveted title of being the first B.Supreme club night winner. After several rounds of battles in quick succession, it was Koala versus Rebecca "Famous" in the finals, with the judges voting in favour of Koala as the first champion.
While it wasn't an amazing night (£6 a ticket, or £4 when you say the password: Facebook!), it was the first club night B.Supreme have hosted and will hopefully improve as word about them gets around.
The next B.Supreme club night will be announced in the future, so keep checking the B.Supreme website www.bsupreme.co.uk where you can also follow their Twitter updates.
View related blogs in:
b.supreme,
boy blue,
Kenrick Sandy,
retaliation girls,
southbank
Monday, 26 October 2009
Boy Blue "Whose Side Are You On?" Asbos vs Pied Piper batte photos
The best pics taken will win a free Boy Blue class for themselves and ten of their mates too.
For more info on the battle, and the forthcoming Pied Piper (or read our review of the spring show here) show returning to the Barbican this December, see www.whosesideareyouon.org
This blog links from We're Excited About... Boy Blue Presents "Pied Piper" and Zoonation's "Into The Hoods" - Click to go back to the site
View related blogs in:
boy blue,
free events,
hip hop theatre,
Kenrick Sandy,
photography
Wednesday, 11 March 2009
Updates - slow, but steady!
What's happening, people?
Sorry about the slow updates, I've been seeing shows and being IN shows. There's never a dull moment, but that also means there's never a spare moment to update the site either!
For this I apologise, I'm getting on top of the work!
Tonight's update is a review of "Pied Piper" at the Barbican, London. Have a gander, then get on the phone to the ticket office, because it's not something you want to miss - only three days left to see it!
Later on (in due course) I'll have a write up of last Thursday's "Breakin Boundaries" charity event put up, but I'm just working on getting the seven to smoke battle uploaded to YouTube.
As soon as that's done I'll drop you guys an update - all 30 minutes of the battle have been captured, and there's a lot of hype to see!
In the mean time, enjoy the review.
Flave
Sorry about the slow updates, I've been seeing shows and being IN shows. There's never a dull moment, but that also means there's never a spare moment to update the site either!
For this I apologise, I'm getting on top of the work!
Tonight's update is a review of "Pied Piper" at the Barbican, London. Have a gander, then get on the phone to the ticket office, because it's not something you want to miss - only three days left to see it!
Later on (in due course) I'll have a write up of last Thursday's "Breakin Boundaries" charity event put up, but I'm just working on getting the seven to smoke battle uploaded to YouTube.
As soon as that's done I'll drop you guys an update - all 30 minutes of the battle have been captured, and there's a lot of hype to see!
In the mean time, enjoy the review.
Flave
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